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POTTER, Paulus Young Bull zg oil painting


Young Bull zg
Painting ID::  8598
POTTER, Paulus
Young Bull zg
1647 Oil on canvas, 236 x 339 cm Mauritshuis, The Hague

   
   
     

POTTER, Paulus Two Cows a Young Bull beside a Fence in a Meadow oil painting


Two Cows a Young Bull beside a Fence in a Meadow
Painting ID::  19920
POTTER, Paulus
Two Cows a Young Bull beside a Fence in a Meadow
1647 Oil on panel Art Institute of Chicago

   
   
     

POTTER, Paulus The Bull oil painting


The Bull
Painting ID::  19921
POTTER, Paulus
The Bull
1649 Gemäldegalerie, Berlin.

   
   
     

POTTER, Paulus A Farm oil painting


A Farm
Painting ID::  19922
POTTER, Paulus
A Farm
1649 Oil on panel The Hermitage, St. Petersburg.

   
   
     

POTTER, Paulus Watchdog oil painting


Watchdog
Painting ID::  19923
POTTER, Paulus
Watchdog
Oil on canvas The Hermitage, St. Petersburg.

   
   
     

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     POTTER, Paulus
     Dutch Baroque Era Painter, 1625-1654 Son of Pieter Potter. He was related through his mother, Aechtie Pouwels (d 1636), to the wealthy and powerful von Egmont and Semeyns families, who held important offices in Enkhuizen and at the court in The Hague. He worked in his father's studio in Amsterdam during the 1630s and, like him, painted history subjects that show the strong influence of Claes Moeyaert, with whom Paulus may also have studied. In the painting Abraham Returning from Canaan he adapted the landscape setting from an etching by Moses van Uyttenbroeck and the figures from works by Moeyaert from over ten years earlier. Significantly, however, he redistributed the numerous animals and figures that Moeyaert had aligned evenly across the frontal plane; Potter placed them to one side, permitting a view into the deep distance where other animals can be seen. Potter followed his father more than Moeyaert in searching for ways to integrate his figures with the landscape,

     Related Artists::.
     | Carl Christian Vogel von Vogelstein | The Freake Limner | MOUCHERON, Frederick de |


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